Tuesday 19 August 2014

Deliver Us From Evil - Review

Director: Scott Derrickson Writers: Scott Derrickson, Paul Harris Boardman Studios: Screen Gems, Jerry Bruckheimer Films Cast: Eric Bana, Édgar Ramirez, Olivia Munn, Sean Harris, Joel McHale Release Date (UK): 22 August, 2014 Certificate: 15 Runtime: 118 min

In “Deliver Us From Evil,” what starts off as an intriguing mix of a gritty, urban police procedural and a supernatural horror soon descends into a boringly typical succession of routine bumps in the night and well-worn demonic possession cliches. Inspired by the accounts of a real-life NYPD sergeant, it stars Eric Bana as cynical New York cop Ralph Sarchie, whose paranormal skepticism is called into question following a series of freaky, seemingly inexplicable investigations. When a rugged, unconventional priest (Édgar Ramirez) convinces him that the cases are demonically related, they join forces to defeat the evil, which begins to target Sarchie’s family and his mind.

Director Scott Derrickson does good in cooking up an eerie sense of dread as Bana wanders through dark hallways, armed with a flickering flashlight and being startled by felines of varying sizes (at one point a little pussycat, at another point a zoo lion). But the resulting scares, though reportedly based in truth, are so lacking in originality they’re more likely to elicit yawns than shrieks, and the big mystery surrounding the ghostly goings-on is uninteresting and largely incoherent. In his previous horror movies, Derrickson has shown an interest in asking thoughtful questions about morality and religion, as he did in “The Exorcism of Emily Rose,” as well as executing simple but effective spook house thrills, as he did in “Sinister.” “Deliver Us From Evil” sadly has very little of those, though as a blending of the crime and horror genres it’s not without interest.

Inevitably, it ends with the kind of exorcism scene we’ve seen a thousand times before, with a screaming match between a priest reciting Bible verses and a thrashing demonic entity. The only difference between this and most other exorcism scenes is that instead of a bedroom or a barn, this is set in a police interrogation room; I did laugh when the camera pans to an onlooker staring through the one-way mirror in bewilderment. In this scene, Bana and Ramirez prove themselves a good team-up: the brawny Bronx cop and the devout Hispanic priest. I wouldn’t mind seeing a sequel where they do further battle with the forces of evil together, though the forces of evil would have to be much more interesting than they are here.

Rating: 5/10

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